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Create a Variety of 3D Lettering Effects for Poster Design
This post is part of a series calledPoster Design.
The Art of Choosing the Right Paper
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This post is part of a series calledVector Text Effects.
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In this tutorial I will showcase three different approaches for creating simple 3D lettering effects in the context of poster design. Onward and upward we go!
I will start off by drawing the letter-forms for the three words ONWARD, AND and UPWARD. From there I will show three ways to create simple, yet interesting 3D effects. 3D is the latest craze (See: nearly every movie that has come out in the last two years) but my interests are in 3-Dimensional lettering that has old school, subtle, simple, imperfect, more humanistic qualities. Drawing inspiration from vintage poster lettering, and overall aesthetics, everything will be wrapped together to create the full poster design.
As always, good lettering starts with a sketch. You just need to get the basic idea and composition. The basic idea for this tut is that the poster will be split diagonally and the letters will go from big to small (and vise versa).
This sketch is very rough and is basically there to reference when actually creating the lines in Adobe Illustrator (AI).
Open a new document in AI and paste in the sketch. Lock it in place.
Create outside guides loosely based on the sketch (Drag from the Rulers).
Next, well create diagonal guides. Create another guide, but while still selected go Control-click Transform Rotate.
In the prompt window enter an Angle of 33 and hit OK.
The guide is now diagonal. Copy another guide (Click + Drag + Shift) above and below. All guides are now setup.
Next, referencing the sketch and start drawing the letterforms using the Pen Tool. The color/line-weight doesnt matter at this point, they will be addressed later. Also, as mentioned previously, the basic idea is that the letters will go from big to small along the diagonal.
Using the guides as starting points, be sure to keep the vertical lines on the letter-forms precise by holding shift while drawing. It might be easier to draw if you hide the sketch (Toggle the eye icon in the layers palette).
The first word, ONWARD, is complete.
Next, use the diagonal guides and draw the word AND. There isnt a reference for this in the sketch, but the idea is to draw the letters between the 3 diagonal guides. Sometimes, I like to start with the center letter and work my work out from there.
Finished the word AND. Remember, the letterforms can have some variance and unique characteristics, but they still need to stay contained within the guidelines.
Moving on to the third word, UPWARD.
Were getting closer. Also, just an FYI, I often toggle on and off the sketch to see how the letterform should be drawn.
Tip: Smart Guides will make drawing on the guides and keeping things contained/precise a great deal easier.
Here are the completed vector letterforms, shown compared to the sketch.
Finally, we get to the 3D effects. Lets start simple, with a basic approach.
Using the Round Rectangle Tool, draw a background shape/color (C:30, Y:10) that aligns with the left and top/bottom guides. And send them to back (Shift + Command + Left Bracket key).
Next, select the ONWARD lettering and Copy Paste in Front (Command + F). While holding shift, move it diagonally (approx. to the center diagonal guide). Change the fill color to 50% of the background color (C:15, Y:5).
With the ONWARD lettering selected, in the Transparency palette, simply change the blending mode to Multiply. Thats it, a simple, vintage looking 3D effect.
Next, we tackle a slightly more complicated effect. This will have more drawing of shapes, and uses the same blending mode as the previous approach, but with a different 3-Dimensional effect. The basic idea is that by drawing shapes that overlap and applying the Multiply blending mode, it will create a darker third color to achieve the 3D effect. The trick is getting the hang of how to draw the shapes. Its hard to explain exactly the process of how to draw the shapes, but seeing it help will help. Here we go!
With the AND lettering selected, change it to an orange fill (M: 35, Y: 85).
Making sure Smart Guides is active, start drawing inside the shapes of the AND letterform using the Pen Tool. These shapes should have a darker orange fill color (M: 75, Y:100). You should start to see the 3D effect.
To complete the interior shape of the D within the word AND, select the two right bezier points and Copy, Deselect all and Paste in Front. Then continue drawing the shape.
With the AND interior shapes drawn the 3D effect is apparent.
To really make the effectpop, same as above, change the blending mode of the AND lettering to Multiply.
The third 3D effect uses a more traditional approach of drawing the 3D shapes, extruding from the existing lettering. These letterforms will have a nice, thick 3D effect, achieved through drawing three shades of a color.
Change the color of the UPWARD lettering to a light brown (C:25, M:40, Y:65).
Again, make sure Smart Guides is active. Start by using the existing points, use the Copy + Paste in Front method, then draw outside the shapes of the UPWARD letterform using the Pen Tool. Color with a medium brown (C: 30, M: 50, Y: 75, K:10).
To keep the 3D consistency, and with the magic of Smart Guides, use a 45 degree angle for the 3D shapes.
Keep congruent with the exterior background shape and keep hammering out the medium brown shapes.
Here is shown the medium brown shapes finished.
To finish this off it should be fairly obvious, we need to draw the darkest shade of brown (C: 35, M: 60, Y: 80, K:25) for the letterforms. In many areas you may be able to just draw dark brown shapes over the gap of existing shapes.
Use copies of the existing light brown shapes and the Subtract from shape area option in the pathfinder palette to create the medium brown shapes.
The dark brown 3D shapes are now complete, as well as the complete 3D lettering effect.
Now, to tie this all together and make it look like a real poster. Well use a few more shapes, textures and color effects to make it look like a vintage poster.
First, you may notice that there could be a few areas on the ONWARD lettering that might have the dark brown color. Lets integrate some textures. First, Copy and Paste in Front the existing medium brown shape you want to integrate texture within.
Using textures from my previous tutorialHow to Create a Vector Texture From Scratch, paste the texture into position.
Once the position is finalized (Tip: check the position with a simple clipping mask), select both the texture and copy of the medium brown shape. Use the Intersect shapes areas option in the Pathfinder palette.
Hit expand in the pathfinder palette and you have texture shades!
Apply that process to any other areas that make sense. There are some questionable areas that could use texture but its a judgment call.
Draw a shape that follows the diagonal guides and fill it with a lighter pink color (M: 35, Y: 21). Add a point on the center diagonal guide and make the light pink shape look like a banner shape.
Change the color of the original AND lettering to white and scale the banner shape up (so it doesnt get lost in the other lettering).
Next, lets make this a bit more fun. Draw an old biplane flying through the letters, with a white string connecting the banner and a dotted white line coming from the banner.
And finally, to really give it that vintage, muted tone. Draw a light yellow (Y:6) rectangle over the entire document and change the blending mode to Saturation. Print!
Some of this info is fairly straightforward, but hopefully there were a few bits in there that you could learn from. The final image is below. You can view the large versionhere. Cheers!
Jesse Hora Dot Com makes up one half of MAKE.™, a Chicago based design team specializing in art direction, print design, lettering and illustration. Jesses work has been described as never straying far from the ridiculous and playful while remaining detailed and incredibly thoughtful. His versatile skill set has lead him to become commercially successful, working with a wide range of clientele from major brands to local businesses, as well as an up and coming gallery artist. Learn more about Jesse in the Interview with Jesse Hora Dot Com on Vectortuts+ and visit his portfolio at .
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